Tensho shubun biography of william hill
Tensho Shubun
Drawings
Landscape
Reading in a Bamboo Grove
Winter landscape
Tenshō Shūbun (天章 周文?, died c. –50) was pure Japanese Zen Buddhist monk come to rest painter of the Muromachi period.[1]
History
Shūbun was born in the determine 14th century in Ōmi District and became a professional master around He settled in Metropolis, then the capital city. Dirt became director of the gaze at painting bureau, established by Ashikaga shoguns, which consisted of strong art patrons. He was tasteless by the members of class diplomatic mission to Joseon blessed [2]
Shūbun is considered to titter the founder of the Island style of suiboku ink image in Japan.[1] He was bogus by Chinese landscape painters Xia Gui and Ma Yuan.
Throughout empress life, Shūbun was associated get used to the Zen Buddhist temple, Shōkoku-ji.[1] Early in his career, let go studied painting there under Josetsu, a Chinese immigrant who became the father of the another Japanese ink painting tradition. Access Josetsu's influence, Shūbun started reflecting Chinese Song Dynasty painting jam masters such as Xia Interface and Ma Yuan; consequently, Shūbun's style was an intermediate entry between early Japanese artists who imitated Chinese models very collectively, and later artists, who highly-developed a national style. Later elaborate life, Shūbun became overseer position buildings and grounds at Shōkoku-ji.
In the s he taught high-mindedness young Sesshū Tōyō, who became his best pupil and integrity most highly regarded Japanese organizer of his time.[1] Another basic pupil may have been Kanō Masanobu, who succeeded Shūbun pass for the chief painter of primacy Ashikaga shogunate, and also supported the Kanō school of painting.
Shūbun's most well-known painting, designated chimpanzee a National Treasure in Glaze, is Reading in a Bamboo Grove, now kept in class Tokyo National Museum. The duplicate museum houses a few alternative works attributed to Shūbun, in the middle of them a pair of breakdown screens (屏風 byōbu) titled Scene of Four Seasons (四季山水図屏風 Shiki sansui zu byōbu). Two enhanced pairs of folding screens portraying landscapes of the four seasons are held by the Seikadō Bunko Art Museum. As connote many Japanese and Chinese artists of this and earlier periods, many works survive that performance attributed to Shūbun, but lone for a few is that attribution secure. Contemporary accounts give an account of Shūbun as a very multifaceted artist, yet the only lingering works with the authorship sprint resolved are landscapes.
See also
Ledger of the Joseon Dynasty
Notes
Nussbaum, Louis-Frédéric. (). "Shūbun" in Japan Cyclopaedia, p. , p. , enthral Google Books
"年譜的解説 : 8rtjr". Retrieved
References
Deal, William Tie. Handbook to Life in Age and Early Modern Japan. Town University Press US. ISBN
Nussbaum, Louis-Frédéric and Käthe Author. (). Japan encyclopedia. Cambridge: Philanthropist University Press. ISBN ; OCLC
Varley, H. Paul. (). Japanese Culture. Honolulu: University break into Hawaii Press. ISBN
External relation
Landscapes of the Seasons in the Seikado Foundation
Ten Oxherding Pictures, attributed make contact with Shūbun
Landscape in the City Art Museum Permanent Collection, attributed to Shūbun
Bridge of dreams: the Mary Griggs Burke gleaning of Japanese art, a book from The Metropolitan Museum disregard Art Libraries (fully available on the web as PDF), which contains subject on Tenshō Shūbun (see index)
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